Senior Art Exhibition

I recently had my joint senior art exhibition, “Abandoned,” which was held in the Black Box Theater at Rowan University from April 29 to May 3, 2012. The show featured Stephanie Hufford’s prints and my photography.

It was a full semester project in which we worked together on the cohesive theme of abandoned, decaying structures and the effects caused on them after the presence of people is gone.

To see more of my photos from the exhibition, click here.

It’s Been Awhile

since my last post.

The short explanation is: six courses, four of which were studio courses. I had a gallery exhibition with Stephanie Hufford, titled “Abandoned,” which featured my photography and her prints. I had a group exhibition with fellow art students, featuring my photography and I got published in the Gallery Publication at Rowan University. It’s been a good semester and now I’m less than  a week from graduation.

Currently, I am working on an article about Mark Langan, who specializes in corrugated art. Check out his work here.

Keep checking for updates this week.

–Ismaa

The What Man of South Street

If you happen to be walking along South Street in Philadelphia, near 2nd and Bainbridge, you might notice a moustached man in a suit graffitied on the sidewalk. He’ll be looking at you and motioning “What?” with his hands as you walk past him.

What to do? It could mean anything. I just find it funny. What about you?

Interview with Susan Hoerth

Altered Book Art (Photo/Susan Hoerth)

There seems to have been a recent spike in the number of altered book artists in recent years. Altered book art is when an artist takes a hardcover or paperback book and through multiple techniques varying from burning, cutting, collaging, etc, the artist changes both the appearance and meaning of the book.

Susan Hoerth is an altered book artist.

Hoerth is primarily self-taught but has had some training in ceramics, Raku ware and drawing at the John Michael Kohler Art Center in Wisconsin. In her altered books she primarily uses vintage items, some of which she has collected over the years through her travels.

“I have been collecting small items for over 15 years,” she said.

She has been to Europe, Egypt, China and the Middle East. During her travels, she will collect items that catch her eye. What especially appeals to her is the color, shape and texture of the item.

“I find colors interesting [in] each place I visit. I love to look for old pieces of metal and jewelry, paper and books,” she said. “I love to shop at vintage and small shops with secondhand goods.”

Hoerth has worked in several mediums, such as ceramics and drawing, but when she began visiting secondhand shops and looking into dumpsters to find various items, she started tinkering with the idea of transforming a book.

Alice in Wonderland, 1909 (Photo/Susan Hoerth)

“The more things I found, the more I understood the story time tells, the beauty age itself gives all thing. Books became so interesting–illustrations of age, the color and smell.

“I found [books] one of the most discarded items in the trash and secondhand stores. I started carving books for collages to add elements along with discarded small items, and then began using them for the canvas.”

With each piece that she designs, she adds what she calls “ordinary moments in life.” She will incorporate common items of everyday use such as a button, old watch parts or paper tickets into her work as a way to show a sporadic moment in life and the small fleeting item only remembered during that small moment.

“I want to create a contrast, so that the item becomes immortal in the art,” she said.

Land of OZ, Czech Published Book (Photo/Susan Hoerth)

It takes up to six weeks to complete a single book, but she says it depends “…on the book, finding it, reading it, researching the time period….”

Hoerth restricts herself to books dated before 1923.

“They cannot be first editions, they need to be illustrated and occasionally I will do a book made in a foreign country, like ‘The Land of OZ’,” she said.

Hoerth has had her work exhibited several times. She has had a gallery showing of her colored pencil drawings at the Art House Locally. Her ceramics works have been exhibited in Milwaukee, WI and her altered book art has been exhibited in McAllen.

Follow Susan Hoerth on Twitter via @sdhoerth or visit her blog Abandoned Attic to see her latest work. You can also buy Hoerth’s altered book art via her Etsy here.

American Wing reopens Jan. 16 at The MET

Note: This is an excerpt from a press release from The Metropolitan Museum of Art (MET). To read the whole article from the MET’s Web site, click here. 

“New American Wing Galleries for Paintings, Sculpture, and Decorative Arts”

The Metropolitan Museum’s collection of American art, one of the finest and most comprehensive in the world, returns to view in expanded, reconceived, and dramatic new galleries on January 16, 2012, when the Museum inaugurates the New American Wing Galleries for Paintings, Sculpture, and Decorative Arts. The new installation will provide visitors with a rich and captivating experience of the history of American art from the 18th through the early 20th century. The suite of elegant new galleries encompasses 30,000 square feet for the display of the Museum’s superb collection.

This final phase of the American Wing renovation project is comprised of 26 renovated and enlarged galleries on the second floor. The new architectural design is a contemporary interpretation of 19th-century Beaux-Arts galleries, including coved ceilings and natural light flowing through new skylights. The redesign, which has added 3,300 square feet of gallery space, also allows for a chronological installation of the American paintings and sculpture, and improved pathways connecting to adjacent areas of the Museum.

Twenty-one of the new galleries—including the 18 sky-lit Joan Whitney Payson Galleries—have been created for the display the American Wing’s extraordinary collection of paintings. Its origins date back to the 1870s, thanks to the strong support of founding Trustee-painters Frederic Edwin Church and John Frederick Kensett. For the first time, the paintings collection will be shown on a single floor, enhancing accessibility and coherence of the display. The Museum’s holdings are particularly rich in the works of the great masters, including John Singleton Copley (Daniel Crommelin Verplanck), Gilbert Stuart (George Washington), Thomas Cole (The Oxbow), Church (The Heart of the Andes), Winslow Homer (Prisoners from the Front), Thomas Eakins (Max Schmitt in a Single Scull), and John Singer Sargent (Madame X).

To continue reading the rest of the press release, click here

More Graffiti in Brooklyn

I apologize for the poor quality of the two photos. They’re taken from my phone’s camera.

Anyway, the first image (below) has been in the area for as long as I can remember but I can’t figure out exactly what it means. Any ideas? Let me know. There seems to be some construction in the area…. I hope it’s still around next time I walk on Myrtle.

Graffiti along Myrtle Avenue (Photo credit/Ismaa Viqar)

And here is one of several “1 ups,” probably in reference to the Super Mario Bro. games. I couldn’t remember where the other two were and someone also spray-painted a mushroom. I’ll check for it later.

"1up" (Photo credit/Ismaa Viqar)

Map Works

Matthew Cusick is a contemporary artist who specializes in mixed media. Cusick received his BFA from the Cooper Union for the Advancement of Science & Art in 1993 and has had his work exhibited since 1996. He is best known for his “map works,” where he primarily uses maps and adds other mediums such as paint, ink and chalk to create portraits, scenes in nature or roadways. *

To read an interview with Matthew Cusick by My Modern Metropolis, you can click on this link.

Shauna (2011) Inlaid maps, acrylic, on panel

Blue Horse (2011) Inlaid maps on panel

Red & Blue (2010) Inlaid maps, book pages, ink, on panel

Malvo (2011) Maps, sighting targets, ink, dye, on panel

Geronimo (2007) Inlaid maps on panel

Many Rivers (2009) Inlaid maps, acrylic, on panel

Kara's Wave (2009) Inlaid maps, acrylic, on panel

Empire Revisited (2009) Inlaid maps, acrylic, on panel

Transamerica (2004) Inlaid maps on panel

Course of Empire (Mixmaster 1), 2003 Inlaid maps, acrylic, on panel

Patriarch (original), 2006 Inlaid maps on panel

To see more of Cusick’s work, visit his Web site here.

*Note: I have received permission from Matthew Cusick via E-mail to post photos of his work from his Web site onto my blog.